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Legenda em Português (Europa)

1900 (1976)

1900 (1976)

1900 (Novecento) - Bernardo Bertolucci - Atto I - Part 1-por.srt

1900 (1976)

Pré-visualização

1
00:03:44,000 --> 00:03:47,000
Agradecemos a todos os trabalhadores
rurais e aos trabalhadores de Emilia

2
00:03:47,001 --> 00:03:50,000
que trouxeram, com as suas danças,
com a sua experiência, com o seu

3
00:03:50,001 --> 00:03:53,000
entusiasmo, com os seus cânticos,
com a sua cultura, um contributo

4
00:03:53,001 --> 00:03:56,000
insubstituivel à realização
deste filme.

5
00:03:59,440 --> 00:04:02,620
Nos ásperos montes
tornámo-nos lobos

6
00:04:02,621 --> 00:04:06,210
O nosso grito é:
liberdade ou morte!

7
00:04:06,211 --> 00:04:09,800
Aos vales desceremos
com a metralhadora

8
00:04:09,801 --> 00:04:12,712
Para a batalha

9
00:04:13,440 --> 00:04:16,796
No meio de todas as
vítimas não vingadas

10
00:04:16,920 --> 00:04:20,280
No meio dessas faces
esquálidas

11
00:04:20,281 --> 00:04:24,160
Compensaremos nas
barricadas.

12
00:04:24,161 --> 00:04:27,279
Bala por bala

13
00:04:27,280 --> 00:04:32,877
Compensaremos nas Barricadas
Bala por...

14
00:04:43,120 --> 00:04:47,079
Acabou... a... guerra!

15
00:05:09,000 --> 00:05:10,956
Porquê?

16
00:05:13,520 --> 00:05:16,796
Sigam-nos todos!
Corram!

17
00:05:31,320 --> 00:05:34,471
Eu nem sequer alguma
vez disparei sobre uma galinha!

18
00:05:34,880 --> 00:05:36,791
Também quero uma.

19
00:05:45,120 --> 00:05:48,319
Cuidado, não deixem
que os matem!

20
00:05:48,320 --> 00:05:53,075
Mulheres, guardem o feno,
que se chover fica molhado.

21
00:05:53,320 --> 00:05:54,799
O que é que tu queres?

22
00:05:54,800 --> 00:05:59,000
Eu também quero uma.
Eu cortei as linhas telefónicas.

23
00:05:59,001 --> 00:06:04,836
Tigre, dá-me uma a mim também.
Tu prometeste!

24
00:06:05,160 --> 00:06:07,515
Leonida, vem cá!

25
00:06:08,960 --> 00:06:11,315
Leva o carregador também.

26
00:06:12,120 --> 00:06:14,759
- Onde vais, Leonida?
- Também os quero matar!

27
00:06:54,520 --> 00:06:57,865
...da estação de rádio de Milão
que acabámos de ocupar.

28
00:06:58,401 --> 00:07:02,399
Milão, finalmente livre,
saúda o povo italiano.

29
00:07:02,400 --> 00:07:07,000
Este é o comando das
Brigadas de Guerrilha "Giacomo Matteotti".

30
00:07:07,001 --> 00:07:11,119
Neste momento de alegria

31
00:07:11,120 --> 00:07:14,560
os nossos pensamentos vão para
todos os que caíram em todas as frentes,

32
00:07:14,561 --> 00:07:18,800
na tremenda luta contra os
bárbaros Nazi-fascistas.

33
00:07:18,801 --> 00:07:20,756
Mas, acima de tudo...

34
00:07:20,920 --> 00:07:24,276
Leonida! O que fazes tu aqui?

35
00:07:24,720 --> 00:07:27,154
Não te vi entrar.

36
00:07:28,520 --> 00:07:32,560
Que cara tão séria!
Para que queres tu essa espingarda?

37
00:07:32,561 --> 00:07:34,516
Fora!

38
00:07:35,200 --> 00:07:38,158
- Viva Estaline!
...

 

Sinopse

Born the same day at the turn of the 20th century Italy, January 1, 1900, two best friends, Alfredo Berlinghieri (Robert De Niro as an adult) and Olmo Dalcò (Gérard Depardieu as an adult) come from opposite ends of the social spectrum. Alfredo is from a family of wealthy landowners led by his abusive but populist grandfather Alfredo the Elder (Burt Lancaster), while Olmo is an illegitimate peasant son off the estate whose grandfather Leo Dalcò (Sterling Hayden) is the foreman and peasant strong man who verbally and spiritually carries a duel of wits with both the peasants as well as his employer, but without ever reaching violence with Elder Alfredo's bidding. While growing up, the young Alfredo is somewhat rebellious and despises the falseness of his family, in particular his weak but cynical father Ottavio (Werner Bruhns), he befriends Olmo, who was raised as a socialist.The two become friends throughout their childhood, despite the social differences of their families. Alfredo's grandfather, suffering from gout, senile dimensia, and other ailments, commits suicide by hanging himself in the dairy barn. As a result, Ottavio inherits the plantation.In 1917, the teenage Olmo enlists with the Italian army during World War I and goes off to fight on the front lines in northern Italy while Alfredo stays behind to learn how to run his family's large plantation. Olmo returns from the war over a year later and his friendship with Alfredo continues. However during Olmo's time away, Alfredo's father has hired Attila Mellanchini (Donald Sutherland) as his new foreman following the death of Olmo's own grandfather. Attila is sadistic man who becomes taken with fascism, especially after the facists come to power in the early 1920s, Italy.Attila eventually incorporates his new belief system in his dealings with the Berlinghieri workers; he treats them cruelly and later cages them in the Berlinghieri compound and accuses them of treason against Fascist Italy. Several are killed by Attila himself. Alfredo's father, Ottavio, eventually dies from an illness and Alfredo inherits the vast estate as its sole heir. As the new padrone (master) of the plantation, Alfredo does little to challenge or halt Attila's evil actions.During the late 1920s and early 1930s, the intimacy and lack thereof in their respective relationships with others is highlighted in their love lives as both Alfredo and Olmo cannot seem to hook up with the right woman to be with. Alfredo eventually marries a gorgeous, demure woman, named Ada (Dominique Sanda), while Olmo marries Anita (Stefania Sandrelli), a fellow idealist who, like him, shares in the enthusiasm of the cause of workers' rights in the vein of socialism.Alfredo's wife, Ada, sinks into alcoholism when confronted with the reality of the emptiness of her relationship with Alfredo.Olmo's wife, Anita, a strong and independent woman, dies tragically in childbirth, bringing another member into the community; a daughter whom Olmo names after his late wife. As Olmo takes on his fateful role of leader among the poor farmers and their families, he clashes with Attila several times as the years go on. Olmo's daughter, Anita the Younger (Anna Henkel-Grönemeyer), grows into a young and resourcful teenager whom is supportive of her father's socialist beliefs.The power, however, shifts after World War II in 1945, and the ruling class is at the mercy of the jovial and bitter peasants in the agricultural estate. As padrone, Alfredo is captured by a teenage peasant boy carrying a rifle. Attila is also captured when he and his wife, the equally cruel and sadistic Regina (Laura Betti), try to flee the region. Attila is stabbed, non-fatally, several times by women wielding pitchforks and is imprisoned in the Berlinghieri pig sty. He is later executed by the peasants (while they cut off most of Regina's hair), who have discovered that Attila had raped and killed a young boy (ironically, the son of one of the most fervent supporters of fascism as an antidote to socialism) several years prior in a fit of rage and had also murdered a wealthy landowner's widow, Mrs. Pioppi (Alida Valli), whose husband had been economically ruined by Alfredo, in order to steal her land and home.Alfredo is brought before Olmo's workers tribunal to stand trial. Many workers come forth and accuse Alfredo of letting them suffer in squalor while he (and his social class) profited from their labors and on top of that, he did nothing to stop the sadistic Attila. Alfredo is sentenced to death, but his execution is prevented after Olmo explains that the padrone is already dead even though Alfredo lives... that is, the social system has been overthrown with the end of the war. As soon as the verdict overturned, however, representatives of the new government, which includes the Communist Party, arrive and call on the peasants to turn in their arms. Olmo convinces the peasants to do so, overcoming their skepticism. Alfredo declares to Olmo: "The padrone is alive."

Legendas 2.2